|
Cranbrook Educational Community
|
|
|
Cranbrook Art Museum
|
|
| Location: | 39221 Woodward Avenue Bloomfield Hills, Michigan United States |
|---|---|
| Built: | 1926–99 |
| Architect: | Eliel Saarinen Albert Kahn |
| Architectural style: | 20th Century American |
| Governing body: | Cranbrook Board of Trustees |
| NRHP Reference#: | 73000954 |
| Significant dates | |
| Added to NRHP: | March 7, 1973[1] |
| Designated NHLD: | June 29, 1989[2] |
The Cranbrook Educational Community, a National Historic Landmark, in the US state of Michigan was founded in the early 20th century by newspaper mogul George Gough Booth. Cranbrook campus is in the Detroit suburb of Bloomfield Hills consisting of Cranbrook Schools, Cranbrook Academy of Art, Cranbrook Art Museum, Cranbrook Institute of Science and Cranbrook House and Gardens. The founders built Christ Church Cranbrook as a focal point in order to serve the educational complex, though the church is a separate entity under the Episcopal Diocese of Michigan.[3] The sprawling, 319 acre (129 hectare) campus began as a 174 acre (70 ha) farm, purchased in 1904. The organization takes its name from Cranbrook, England, the birthplace of the founder's father.
Cranbrook is renowned for its architecture in the Arts and Crafts Movement style. The chief architects were Albert Kahn and Eliel Saarinen. Renowned sculptors Carl Milles and Marshall Fredericks also spent many years in residence at Cranbrook.
Contents |
Cranbrook Schools today comprise a co-educational day and boarding college preparatory "upper" school; a middle school, and Brookside Lower School.
The first school to open on the Cranbrook grounds was the Bloomfield Hills School in 1915. Founded by George Booth, the Bloomfield Hills School was intended as the community school for local area children (of which there were then very few). The Bloomfield Hills School ultimately evolved into Brookside School. Following completion of the Bloomfield Hills School, Booth looked forward to building the Cranbrook School for Boys, an all boys College-Preparatory school which students from the Detroit area and abroad would come to reside. Booth wanted the Cranbrook School to possess an architecture reminiscent of the finest British Boarding Schools, and retained world-renowned Finnish architect Eliel Saarinen to design the campus. Cranbrook's initial phase of building was completed in 1928.
Over the years the Cranbrook School for Boys campus grew to include house Stevens Hall, Page Hall, and Coulter Hall. While primarily functioning as only residential spaces, Page Hall featured a smoking lounge as well as a shooting range. Lerchen Gymnasium, Keppel Gymnasium, and Thompson oval were also constructed on the campus. In the 1970s, Cranbrook School for Boys also constructed a state-of-the-art Science Building named Gordon Science.
Realizing that young women would also need a place of their own to learn, Booth's wife Ellen Scripps Booth pressured Booth into building a school for girls. Mr. Booth decided to let Ellen supervise the project herself which she named the Kingswood School for Girls. Unlike her husband, Ellen encouraged Saarinen to come up with a unique interior design for the campus completely on his own. Instead of the several buildings that housed the Cranbrook School for Boys, the Kingswood School for Girls was contained within one building which included all necessary features. It housed dormitories, a dining hall, auditorium, classrooms, bowling alley, lounge/common areas, and a ballroom. The education at Kingswood School for Girls was primarily viewed initially as a "finishing school" although that would change over time.
In 1986, the Cranbrook School for Boys and Kingswood School for Girls entered a joint agreement renaming the new institution the Cranbrook Kingswood Upper School.
The Cranbrook Academy of Art, one of the nation's leading graduate schools of architecture, art and design, was founded by the Booths in 1932. By 1984, the New York Times would say that "the effect of Cranbrook and its graduates and faculty on the physical environment of this country has been profound ... Cranbrook, surely more than any other institution, has a right to think of itself as synonymous with contemporary American design."[4]
The buildings were designed and the school first headed by Eliel Saarinen, who integrated design practices and theories from the arts and crafts movement through the international style. The school continues to be known for its apprenticeship method of teaching, in which a small group of students, usually only 10 to 16 per class (150 students for the total of ten departments), study under a single artist-in-residence for the duration of their curriculum. The graduate program is unusual because there are no "courses": all learning is self-directed under the guidance and supervision of the respective artist-in-residence.
Beginning in 1983, a major exhibition of works by Cranbrook's faculty and graduates, entitled "Design in America: The Cranbrook Vision 1925–1950", toured major museums in the United States and Europe.[4][5] The Detroit Institute of Arts and Metropolitan Museum of Art co-authored a book detailing the works in the exhibit.[6]
Cranbrook's method of teaching has proven beneficial for the school, as many of its graduate programs are considered among the best in the country by both US News and World Report[7] and the journal DesignIntelligence, which ranks programs in its annual edition of "America's Best Architecture & Design Schools". The school currently confers the following degrees, with 2009 US News national rankings [7] in italics:
Degrees are conferred in the following areas:
Famous alumni of the Art Academy include Marc Awodey, Ed Bacon, Harry Bertoia, Peter Bohlin, Chunghi Choo, Richard DeVore, Niels Diffrient, Charles Eames, Ray Eames, Ed Fella, Paul Granlund, Leza McVey, Frederic James, Jeffery Keedy, Florence Knoll (did not graduate), Walter Hamady, Duane Hanson, Jack Lenor Larsen, P. Scott Makela and Laurie Haycock Makela, Fumihiko Maki, Fred Mitchell, Gyo Obata, Ralph Rapson, Bernard Rosenthal, Eero Saarinen, Joseph Allen Stein, Toshiko Takaezu, Lycia Trouton, Harry Weese (City Planning fellowship, 1938–39), Lorraine Wild, Anne Wilson, and Daniel Libeskind (Architect-in-Residence, Department of Architecture 1978–1985).
In 1932, renowned sculptor Marshall Fredericks was invited by Milles to join the staffs of the academy and schools, teaching there until he enlisted in the armed forces in 1942. In 1987, Keith Haring served as artist-in-residence.[8]
Cranbrook Art Museum is a museum of contemporary art with a permanent collection including works by Charles and Ray Eames, Harry Bertoia, Maija Grotell and Carl Milles, as well as Robert Motherwell, Andy Warhol and Roy Lichtenstein.[9] Completed in 1942 under the direction of world renowned architect Eliel Saarinen, the museum is housed in the same building as the Cranbrook Academy of Art. The Museum closed in 2009 for a two-year renovation and expansion. The museum also offers tours of Saarninen House which was partially restored in 1977.[10] The remaining areas of the house were completed between 1988 and 1995.[11] The museum is accredited by the American Association of Museums.
Sculptor Carl Milles' numerous works in Metro Detroit include those at Cranbrook Educational Community such as Mermaids & Tritons Fountain (1930), Sven Hedin on a Camel (1932), Jonah and the Whale Fountain {1932}, Orpheus Fountain (1936), and the Spirit of Transportation (1952) currently in Cobo Center.[12]
The newly expanded museum opened in November 2011 after two-years of construction. The project restored aspects of the original building designed by Saarinen, made needed structural repairs, replaced windows and upgraded mechanical systems. The new collections wing added 20,000 sq ft (1,900 m2) of exhibition and storage space. The new storage area will be open to visitors and allows the museum's entire collection to be seen.[13]
The Cranbrook Institute of Science includes a permanent collection of scientific artifacts and also displays annual temporary exhibits. It also features a planetarium and a powerful telescope through which visitors may peer on selected nights.
The museum grounds feature a life-sized statue of a Stegosaurus.
Cranbrook House and Gardens are the centerpiece of the Cranbrook Educational Community campus. The 1908 English Arts and Crafts-style house was designed by Albert Kahn for Cranbrook founders George Gough Booth and Ellen Scripps Booth. Ten first-floor rooms can be seen on guided tours, and contain tapestries, hand-carved woodworking and English Arts and Crafts-style antiques. The upper floors of the house are used for the executive offices of the Cranbrook Educational Community.
The 40-acre (160,000 m2) gardens were originally designed by George Gough Booth, and include a sunken garden, formal gardens, bog garden, herb garden, wildflower garden, Oriental garden, sculpture, fountains, specimen trees and a lake.
Leonard Bernstein composed scores for portions of the musical West Side Story on the Cranbrook House Steinway concert grand piano while visiting Cranbrook in April 1946.[14]
The house and gardens are open to the public from May through October.
St. Dunstan's Playhouse, while not formally a part of the Cranbrook Educational Community, is located on the Cranbrook grounds near the Cranbrook House. The Playhouse, a 206-seat theater, houses the St. Dunstan's Theatre Guild of Cranbrook. The guild was founded in 1932 by Henry Scripps Booth, son of Cranbrook's founders George and Ellen Booth.
In the summer months, the St. Dunstan's Theatre Guild performs in the outdoor Greek Theatre adjacent to the Cranbrook House. The theatre was restored in 1990-91.[11]
|
|||||||||||||||||||||||||
|
|||||||||||||||||
|
|||||||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||||
|
||||||||||||||||||||